Setting
is the poor relative in the fiction-writing craft family. We give character,
language, voice, plot, a lot of attention. Rightly so. But setting also
deserves some love.
So here are two ways to think of setting. The first narrow. The second broader.
Narrow-- character development: where your characters live. Her house or apartment. The
places your character goes to have coffee or eat dinner or work. All of
these are an interaction of character and setting and the setting helps reveal
character. Maybe think about this in revision and use setting to develop and deepen character.
Broader picture: For some writers, in some manuscripts, setting becomes a character. This can be a very
powerful and distinctive characteristic of a writer's work. From the reader’s
side—they can be drawn to a certain writer because the setting creates an
atmosphere. Think Philip Marlow in LA; Raymond Chandler’s noir
atmosphere comes , in part, from his evocation of setting in his novels. There
are many, many examples, including the
many examples in fantasy and sci-fi where the worlds need to be clear and
present in the story.
One
way to think of setting is as a character. I know that I did this in my novel—out
early next year--http://www.goodreads.com/book/show/22747808-utopia-iowa. The
town of Utopia, Iowa, became a major character. I loved the eccentric people
that lived there and the mystery of its past and the threat of dark forces
drawn to the town because of its past. I began to think of the town itself as a
character and that (I hope) helps build an atmosphere in the novel and
contributes to the overall tone of the story. But it also helped me develop a connection between setting and character and plot. To me, so much of the process of writing a story comes from making these connections.
Here's an exercise on the
importance of setting in a more focused way—to build character.
Describe the place where someone
lives just by the details. The details that you choose reveal the character.
An actor
An obsessive mother.
A foster child.
A police detective.
A man who has separated from his
wife and family but wants to go back to them.
A man who has separated from his
wife and family and doesn't want to go back to them.
A high school student's room—he’s
lost and partying too much.
A high school student’s room—she’s
an A student.
A girl or boy who doesn’t have a
place to live.
A boy and girl who are seventeen
and have a child.
This could go on and on. The
purpose of the exercise is to focus on how setting can evoke and develop
character.