Here's a link to an interview I did and also a giveaway of free hardback copies of Utopia, Iowa at this site. I have several other interviews coming up about writing that will be on the web. One is about Merlin and his effect on my writing and on drinking coffee, and one is on writing and reading and one on process. Also, I have a few book events coming up: I will be at the North Texas Teen Book Festival on March 7, teach a class for WLT on Plot in Character Driven Fiction on April 4 and be on a SCBWI panel on process on April 11 and at TLA in Austin on April 16, 17.
Tuesday, February 10, 2015
Utopia, Iowa, my YA novel, is being published by Candlewick Press today (FEB 10) and that’s a most excellent thing. I’m very grateful. But it almost didn’t happen. That is to say Utopia, Iowa’s road to publication was not a smooth superhighway. It was more like a road I drove in rural Mexico one summer not long after I graduated from high school, one that was an obstacle course of potholes and cracked pavement and that eventually went from poorly paved to not paved at all, then to mud, and then ended in what appeared to be a cow pasture. My choices were hang with the cows or go back and try to find another road. I like cows but…
How many rejections did Utopia, Iowa, get? I could probably ask my amazing agent for an exact number, but I’ll guess in the neighborhood of fifteen, including one from the publisher who ultimately accepted and published it (though not the same editor). And also--an important detail- the version she accepted was not that same version that had been rejected.
We’ve all seen the lists of novels that were rejected numerous times and ultimately became huge bestsellers and/or literary classics. To name a few…
Harry Potter and the Philosopher’s Stone--at least 11 rejections. (Bazillion copies sold)
Lord of the Flies: 20 rejections (15 million+ copies sold) Classic
A Wrinkle in Time: 26 rejections. (millions sold) Classic
I don’t know how many of these manuscripts, if any, were rewritten during or after rejections. I have read that J.D.Salinger’s Catcher in the Rye was rewritten after many, many rejections and only then accepted by a publisher.
If you enjoy these kinds of lists here’s a long one at this site. http://www.literaryrejections.com/best-sellers-initially-rejected/
Obviously, no one knows for sure what people will buy—so there’s that. But also, since there are a lot of critically acclaimed novels and even classics on the list I’ve linked to, it’s fair to say that experienced editors and publishers may also be wrong about the quality of a novel.
So there’s that.
But what I’d like to focus on is I wrote a manuscript that was the best I could write at the time and that was handily rejected. Eventually, we had to admit that it wasn’t going to sell. I left it in my documents and moved on. I wrote another novel and that one was accepted. And then I wrote another and that one was accepted, too.
But I never entirely forgot that manuscript I’d left behind. Something about it, even after years, still interested me. Maybe part of that interest was that it was set in Iowa, the state I grew up in and hadn’t been back to for many, many years. But I also think I felt a connection to it that I never entirely broke free of. So I pulled the manuscript up and read through it. I still liked parts, but I saw a big problem in the manuscript that I hadn’t seen before. There were two stories and they were competing with each other—not working together. I thought about this problem for a day. Did I really want to go back to the manuscript again? It was going to take a lot of work and a lot of time and I could quite possibly end up in the same place—that damn cow pasture. Ultimately, the answer for me was yes. Part of the yes was that foolish stubborn steak so many writers have that serves us for both good and ill, but part of it was that I thought I could fix the story, that I could make it much better. It was worth the gamble.
So I tried.
And that version of Utopia, Iowa, sold on its first submission and made me very happy. I don’t want to say we should never give up on our manuscripts. Most writers have a few they were wise to give up on. However, I do want to say that if you have a manuscript buried in your documents folder that you couldn’t publish, maybe one that came close to being published or one you still feel connected to in some way, it’s worth taking a look at it again. Maybe the time away will give you the distance you need to see it more clearly. You never know. Writing, like publishing, is seldom a straight road.
Two minute version of Utopia, Iowa—in case you’re looking for a fast read.