How to Fail at Writing a Novel: Write Characters who don’t have desires

 How to Fail at Writing a Novel: Write Characters who don’t have desires

Characters are the heart of any novel. As important as story and setting and narrative voice and language are, without characters a reader can connect with and care about, your novel is most likely not going to engage the reader. Alas, many aspiring authors fall into the trap of creating flat, uninteresting characters that lack depth and motivation. If you want to fail at writing your novel, create characters without wants or needs.

Great characters are driven by their desires and, at a deeper level, something they need. Take, for example, the iconic character of Elizabeth Bennet from Jane Austen’s “Pride and Prejudice.” Elizabeth’s wants and needs are clear from the outset: she wants to marry for love and needs to support her family, to keep them safe from the threat of poverty and loss of social standing. Her desires drive the plot forward and make her a relatable and engaging protagonist. Another example is Katniss Everdeen from “The Hunger Games” by Suzanne Collins: Katniss’s primary need is to protect her family, particularly her younger sister, Prim. She wants to survive the brutal Hunger Games and return home. Need is deeper than want, but both are important. These desires drive her actions throughout the trilogy and make her a compelling, relatable protagonist. A third example is Atticus Finch from “To Kill a Mockingbird” by Harper Lee. Atticus wants to uphold justice and teach his children the importance of empathy and equality. He needs to defend Tom Robinson, an innocent black man, in a racist society, even though it causes him to endanger himself and his family and have much of the town turn against him. 

In contrast, characters who lack wants and needs fall flat on the page. A powerful plot will be weakened by characters who aren’t developed. Readers will struggle to invest in these characters because they have no reason to care about their journeys or outcomes. A lot of bad action movies or thrillers fail in this way. Maybe they have a pretty good plot, but if the audience doesn’t care about the character, they don’t really care about what happens to him or her. 

To fail at writing your novel, create characters who are content with their lives, who have no burning desires or unfulfilled needs. Write characters who are passive observers rather than active participants in their own stories. By doing so, you’ll ensure that your readers will quickly lose interest and set your book aside.